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I kindly borrowed and give full credit for this above photo to Peter Cook. As for some quilt photos from these shows, don't miss them in our next October issue of Irish Quilting.
The Q for Quilts theme, interpreted by some but nonrestrictive for all, was cleverly present in some quilts. Northern Ireland quilter Irene MacWilliam, who expertly pushes the construction and meaning of quilts, tailored her black and white series for this theme. Visually and otherwise, her Q Play did not disappoint. Linda McCulkin of County Galway gave us Flying in the Queue, whimsical quilts in queue awaiting completion. Cannot every quilter relate?
Other quilts needed no theme for existence and were equally welcomed among the hangings. It didn’t take an expert eye to know that quilters of all levels were showing and yet, their presentation harmoniously appeared as one family: cousins in different sizes, types, levels and methods. I was very impressed with the organizers’ work.At the exhibit, I was greeted by, double the talent, Kitty Whelan and Ursula Dale seen above.
Inside Scoop: Ursula's Ballyhooly Quilt appears in our next issue. See it in October!
Individual triumphant was clear with many of the quilts. One could see a sentimental purpose and/or need for creation as defined by each quilter. My favourites varied and, honestly, are hard to explain except to say they captured my eye and my interest.
Particularly of note would be Paula O’Rafferty’s submissions from the Limerick Prison, both appliqué wonders: a quilt from a male prisoner and one from a women’s group. The pieces were spectacular and intrinsically Irish. As an editor, these quilts beckon my attention and beg me to beg for more. I look forward to learning more and sharing this “quilt success within the walls” with Irish Quilting readers.
In true Cork fashion, there was more. Perfectly timed in sync, the Four Winds Textile Groups were exhibiting at the neighboring Bishopstown Library. The small, but impressive, collection displayed in the second floor of the library. For a literary junkie like myself, there is nothing better than wading through shelvings of knowledge and pleasure which ultimately leads to a room laden with textile showings!
Displayed beautifully, respectfully presented and identified, these patchwork exhibitions are inspiring to all.
Today, I am proud to be a quilter.
We expect a resurgence of patchwork and quilting in the AWCD, and IQ hopes to help lead the way!
The road trip was somewhat uneventful --beyond MHQ--for Terri and me. Usually we find ourselves circling a roundabout 12 times, asking farmers for photo opps or hiking the fields in heels. Terri is recovering from being ill and I'm digging out Issue 4 (coming soon!) content, so low key worked today.
But I DID forget to post about our trip last week--also to Northern Ireland. We went to Enniskillen for a photoshoot on a Jane Quinn design--at fabulous Irish Manor House. All credit to Jane, an ideal spot! On the way home, we detoured on a hunt for quilt art rumoured to be in a church in Coolhute? Drumeltan? Cornbeagh? Kill? Last count was seven churches (some villages have two and more!) when we finally found the holy grail quilt hangings.
By the time we arrived, several local folk had been alerted to watch and help the two "tourists" looking for fabric in a church!
So, sometimes it takes a village to raise quiltart. And us to report on it. Appearing soon in Irish Quilting!